I only just got a bit of dirt under the nails with the last thing. Now wading through the
hairy rubble of a preliminary anthropological dig. So much debris! I couldn’t have predicted how much debris there would be and how much work I had created for myself in waking this beast. But they needed waking. I have seen the eyes and I’m circling, skipping, daintily lifting limbs and sniffing its scent. What is the smell of a plethora of someone that you have been avoiding your whole life? What do you do with the body? This is another science experiment. This is another ground on which to test skins that belong to me, outfits and ideas that may or may not have been imposed. (Dana Michel)

“Michel’s poetic relationship to things is insistent. She investigates shapes and materials, reinventing sculptural forms in plastics, elastics, and doughs. Her work carves pathways through the felt, stuttering persuasively in moving registers of performance. Witty as well as socially astute, her performances loosen feeling. She withholds her body’s outlines (deferring visual recognition) while claiming opacity’s metamorphic scope. Mercurial George vibrates; it vibrates with me still.” (Source: VK Preston, Performance Studies Scholar, Brown University/University of Toronto)

Dana Michel is a choreographer and performer based in Montreal. Before obtaining a BFA in Contemporary Dance at Concordia University in her late twenties, she was a marketing executive, competitive runner and football player. She is a 2011 danceWEB scholar (Vienna, Austria) and is currently an artist-in-residence at DanceMakers (Toronto, Canada) and at Usine C (Montreal, Canada).

An amalgam of choreography, intuitive improvisation and performance art, her artistic practice is rooted in exploring identity as disordered multiplicity. She work with notions of performative alchemy and post-cultural bricolage – using live
moments, object appropriation, personal history, future desires and current preoccupations to create an empathetic centrifuge of experience between her and her witnesses.

Michel's newest solo, Yellow Towel, was featured on the “Top Five” and the “Top Ten” 2013 dance moments in the Voir newspaper (Montreal) and Dance Current Magazine (Canada) respectively. In 2014, she was awarded the newly created
Impulstanz Award (Vienna) in recognition for outstanding artistic accomplishments and was highlighted amongst notable female choreographers of the year by the New York Times. The year concluded with Yellow Towel appearing on the Time
Out Magazine (New York City, U.S.) “Top Ten Performances” list.
“…An artist who refuses to compromise and dares to invent her own language.”(P. Couture and E. Pépin, Voir, 2013)