“nar.dra” is a performance about political narcissism and social apathy.
When attention becomes a form of value and self-display outweighs substance, fatigue sets in, along with withdrawal and the sense that individual voices no longer matter.
The performance moves along the edges of what can be seen and heard, searching for moments where words fail but the body and voice still hold the potential to respond. It speaks less about politics itself and more about being human within a political space — about fragility, the need to be seen, and the fear of dissolving into noise.

“nar.dra” does not accuse or resolve. It invites the audience to pause and consider when observation turns into participation, and whether apathy is a form of protection or a quiet surrender.

Mareeta Ojasaar is a choreographer, director, and dancer whose work moves within an interdisciplinary field, bringing together movement, voice, and conceptual thinking. Her artistic practice is characterised by an interest in systems, patterns, and mechanisms of meaning-making on both bodily and societal levels.
Her work “Analoogiline” (2025) explored themes of nationalism, unity and difference, and the question of what connects people. The interdisciplinary process “Judge-mean” (2024) was created in collaboration with dancers, a composer, and a visual artist, focusing on the formation of judgement and interpretation. “3600π” (2022) was a performative score based on the π constant, performed with 11 accordions following a strict yet minimalist choreographic system. The dance film “Two years later Igor Stravinsky died” (2020) was created using chance-based methods, drawing inspiration from dance and art theory texts selected through dice rolls.
Ojasaar is currently completing her MA in Choreography at the Baltic Film, Media and Arts School of Tallinn University and holds a BA in Dance Art from the University of Tartu Viljandi Culture Academy.

Christel Balzano is a singer-songwriter and Hip-Hop dancer born in Bellinzona, Switzerland. She began her musical studies in Jazz before moving to Rome in 2018 to study at the Saint Louis College of Music, where she earned Bachelor’s and Master’s degrees in Pop Music and Vocal Performance.
Her songwriting is direct and unfiltered, unbound by genre conventions or rigid rules. This freedom lets multiple influences blend, while her lyrics mirror the human experience, including the uncomfortable emotions and hidden thoughts we rarely voice aloud. In them, she aims to create a safe space for listeners to feel truly seen.
In the past year, she released her debut album All of the Monsters and collaborated with Mareeta Ojasaar on the performance “Analoogiline” assuming the role of music composer.

Lorenzo Cervini is an electronic musician born in the province of Siena, Italy. Living in close contact to nature helped him shape his creative identity from an early age and it later influenced his music production.
Lorenzo studied electronic music in Rome, where his creative practice became deeply intertwined with his social and political values of equity and freedom.
For the past year his research has been focused on multidisciplinarity, merging his music production with dance, choreography and visual art.
His performances are based on live re-arrangements, synths and guitar improvisations and are characterised by a minimal and oniric sound, alternating between gentle and distorted.
Lorenzo is currently based in Tallinn, Estonia where he is developing his latest techno project aimed at clubs and arts centers in the Baltic region.

Sveta Grigorjeva is an Estonian choreographer, dancer, poet, and critic. She has published three poetry collections: “kes kardab sveta grigorjevat” (2013), “American beauty” (2018), and “Frankenstein” (2023). Her stage works include “FAKERZ” (2021) and “Tantsud, mille saatel uinuda, unistada ja vastupanu osutada” (2022), which was awarded Best Dance Production at the 2023 Estonian Theatre Awards.
As an artist, she is interested in the Spinozian premise that “we still do not know what a body is capable of,” and often explores the subversive potential of the expressive body and text. Grigorjeva has performed in her own works as well as in those of others in Estonia and internationally. In 2022, she obtained a second Master’s degree from Justus Liebig University Giessen in Germany and began her doctoral studies as a junior researcher at the Estonian Academy of Music and Theatre in autumn 2023.

David Truusa is a dance artist and dance teacher who has completed both BA and MA degrees in Choreography at the Baltic Film, Media and Arts School of Tallinn University. In addition to dance, he is engaged in cooking and ice skating. He works daily as a dance teacher with a focus on Estonian folk dance.
Driven by the practical needs of stage productions, he has also acquired skills in lighting design and applied them in his work, leading him to also operate as a lighting designer who feels comfortable working with stage lighting technology.